|
biography of Ruth Collis
An
Explorer into the Mind of Figurative Beauty
by
~
Anthony Sisneros ~
Introduction
As an artist,
Ruth Collis revels in the nature of structure and free form. Trees
are not merely plants on the landscape, they are hidden treasures of
figure and shape, unseen entities, that she wonders why is only
noticed by an artist. Her illustrative long luxurious hair of a
woman is not just a fashion but a swirling vortex of passion and
shape that give rise to a beauty far more than skin deep. Ruth’s art
is of such a very rich texture and meaning, that she even goes to
lengths in making her signature a part of it. Not wishing to detract
from the viewer’s eye, her "hidden" signature turns up in a variety
of clever and subtle ways.
Obstacles
Like all artists, the road for Ruth has not been smooth or
unobstructed. Ruth has waged battle with those in her life that have
pushed the more "practical, sensible" road toward her. She chose to
be true to herself and educate in Southern California, for the sake
of her art. Through the trial and error process of her inventive
designs, certain techniques for creating her art have met with
exciting results in light of the grade that she demands from her
canvas of ideas. She can be found capturing subjects of interest
photographically that catch her attention, peaking her inspiration
that further spin the artistic wheels of creation.
Techniques
Ruth’s artistic techniques are varied with the effect that she
wishes, and sometimes even for the sake of the medium. Evolving
beyond the old masters, Ruth’s best art is not content being flat on
the canvas, but uses a new technique to lift the art into rising
above the surface creating texture, not just a propped up effect,
but an integral part of the subject that could not be merely
contained flat against the surface. Whether it be pastel, oil, or
acrylic, Ruth’s art takes a person to another place, showing the
viewer another option of how to see the beauty in natures curves and
turns.
Inspiration
Inspiration of art typically occurs faster than Ruth can actually render
it. So as to capture the most creative of ideas she makes notes of her
mental design concepts for future reference. Though a blank canvas can
hold intimidation for many, it is a welcome relief for Ruth. She does not
look to other artists for inspiration as she would for appreciation, but
to a feeling, values held, a vision of success over struggles, the fashion
industry, or textures and forms of nature that are in line with her own
concepts. The quiet beauty of Victoria’s Secret models offers an elegance
she has come to identify with in representing the figure, as well as her
own appreciation for long hair that has resulted in a series of exotic
hairstyle concepts, revealing outer reflections of beauties inwardly felt.
What led her to create and bring about this figure-tree style? Certain
figure-restrictive and confining environments, has left Ruth wanting to be
part of nature itself and observing it as free like the wind, and
contemplating why those following more mainstream ways find it difficult
to allow her to be different and unique in her values and thoughts.
Although she has studied famous Art Deco artist, Erte in school, Ruth has
found a more applicable figure form that relates to her own course of life
as well as what variety may hold mass appeal. As a result of this unique
perception, many real live forms in nature have presented themselves as
human in shape following this discovery, like a tree passed daily by
others that Ruth’s eye has caught, and sometimes going home to illustrate
what photographs have captured.
Observing nature to having limitless forms and shapes of beauty that can
be integrated to the human figure in unending artistic ideas and concepts,
has lead her to combine figure and landscape into her defining style, and
yet still retain focus as a figurative artist.
Conclusion
The Art of
Ruth shows in its own way and style the expressions of a mind that
looks beyond restricting measures, and has reached out to the
material and celebrated the expression of that dimensional realm
which is not always seen or appreciated. Expressions of the natural
beauty that surrounds as well as resides within us, is the vein that
Ruth has tapped into with her works.
|